My short story ‘Fairy Tale Ending’ was published in the very first issue of Edinburgh literary magazine Far Off Places back in March 2013. The magazine is now moving to online-only/podcast form of publishing, but for the final print issue they asked all those who had previously been published for contributions. I submitted a short story ‘Four Funerals and a Wedding’ which has been accepted for publication in the final issue, due out in the second half of 2018.
Inspired (obviously!) by the film Four Weddings and a Funeral, Four Funerals tells the story of Jim and his cousin Clare, who meet at a series of family funerals, each several years apart. Will they get together? Whose is the wedding at the end of the tale?
I’ve been writing monologues for years, mainly short ones for John Bassett’s ‘Three Minute Wonders’ on the Stroud Fringe. One of these, ‘Starter Home’ has been accepted by the Bolton Octagon for their ‘Best of Bolton’ show on 11th November 2017.
The first monologues I ever saw were Alan Bennett’s ‘Talking Heads’ back in the 1980s and I have always loved the way he grows the stories and plots almost organically from the characters and their lives.
They are a great way to tell a story, as they allow you to talk around things, leave them unmentioned but not invisible.
In October 2015 my short story ‘A Winter Wedding’ was selected for Stroud Short Stories’ ‘Eerie Evenings’ event where I had the (terrifying) opportunity to read it out in front of a paying audience.
I looked for other places to send the story and found Centum Publishing who were looking for stories for their anthology ‘One Hundred Voices’. Centum give each author a custom 10% discount code for them to use in their social media marketing, so every sale can be tracked back to the individual author to help calculate royalty payments.
Centrum accepted ‘A Winter Wedding’ for their anthology ‘One Hundred Voices Volume 2’ which was published on January 15th 2017 in hardback and paperback. Buying the book in the UK directly from Centrum costs $14.95 (minus 10% author discount) plus a $17 international shipping, a total of $30.45/£25.11, a ludicrous amount for a paperback of short stories from relative unknowns. Fortunately, the book is now available from Amazon at One Hundred Voices for £15.88, it even has four 5 star reviews already!
My own copy has now arrived and my first impressions are not brilliant. The cover is untidy and contains far too many fonts. The printing looks amateurish and comes far too close to the edge of the pages, I guess to fit the maximum number of stories into the smallest number of pages.
My own story contains a typo which seems ludicrous when I emailed them an electronic copy in the first place.
Having read the first half dozen stories I am not impressed by the quality. Packing a hundred new writers into a single anthology makes for an undigestible read: in the age of the eBook wouldn’t it make more sense to publish 10 volumes of 20 authors instead of 2 volumes of 100? Could this be a ploy to ensure that at least 100 people buy each copy?!
It’s always a buzz seeing your work in a real live book and (technically) it counts as a genuine credit, but I can’t recommend Centum to any writer, however desperate they might be to know that their name is in print.
Please don’t rush out to buy this without borrowing my copy first!
‘The Garden of Earthly Delights’ was originally performed at the New Venture Theatre Brighton in July 2015 (see here). I’ve been planning to record it as a radio piece for some time, as I wanted to add to the storytelling with some intriguing sounds/effects that just weren’t possible on stage.
Every piece generates its own challenges, this time it was recording live (and outside) at the mercy of passing cars, as well as making a believable station announcer. You’d be amazed at how many people have loaded station announcements up to YouTube!
Thanks to my excellent cast Jamie, Hannah and Gemma for being such fun to work with.
It’s New Year’s Eve and Joe is desperate to make his first ever trip to London. When he meets Anna on the station platform there’s an immediate spark of attraction. But when Zoe appears, a battle of wills develops between her and Anna about where Joe should spend the evening. What will Joe decide to do, and just who are Anna and Zoe anyway?
Joe – Jamie Ruther Anna – Hannah Casey Zoe – Gemma Dewe Writer – Stephen Connolly
My short play ‘The Gasman Cometh’ was chosen by the Salisbury Fringe for a script-in-hand performance on Sunday 2nd October as part of the ‘Rough Cuts’ event. Frida was played by Kelly Strickland, Andrew by Mike Prior, director Pete Talman. They did a superb job (after only 3 rehearsals) and were a pleasure to watch! I recorded the play and it has now been loaded to SoundCloud.
Andrew and Frida meet by chance at the Crematorium, each recently widowed, each there for their spouse’s service. But they have met before… in the most horrendous of circumstances. Can they keep their respective families apart long enough for their services to take place?
Sometimes, the one person you least wanted to meet is the only person you can talk to.
In the original version, the truth of the dead peoples’ relationship only becomes clear at the very end. After sharing the script with Gloucester Scriptorium, the main suggestion was that this relationship should be revealed right at the beginning, making the story about the need to deal with a terrible coincidence, giving it more focus and tension.
I have been a member of Jarek Adam’s Gloucester Scriptorium since 2014.
The Scriptorium’s latest project is the ‘Talking Objects’ which was launched last Saturday, 24th September at the Gloucester Life Museum. The brief was to find an item in the museum and write a short monologue based on it:
A series of recorded monologues that give voices to objects from the Gloucester Life Museum and let them tell their utterly fascinating stories. Some of the pieces have a grain of truth to them, some are utterly fantastic, but they all bring to life objects from Gloucester’s past that the Scriptorium writers discovered at the museum.
I decided to write about one of the museum’s most recent items, a Keyring from the 2012 Olympic Games. I was fascinated with the idea of creating the viewpoint of something with almost no history (the keyring was never sold and is still in its original wrapper) placed amongst items which have so much history. How could it cope, and could it think up a way to address the problem, deal with its situation?
It was a fun piece to write for a number of reasons – a strict 2-3 minute length forces you to keep things brief, to focus on essentials – and was beautifully performed (both live on the day and on the recording) by the amazing Chloe of Midnight Storytellers!
My script has been selected for the Salisbury Fringe ‘Rough Cuts’ evening in October, where it will be performed ‘script in hand’ – the actors will have rehearsed it but not memorised it.
The Gasman Cometh is a dark comedy, telling the story of Andrew and Frida who meet at a Crematorium. Each is there to bid farewell to their respective late spouse, but Andrew’s wife’s service has been delayed. They recognise each other from a previous meeting… in the hospital morgue, where they discovered their late spouses died during an illicit rendezvous from Carbon Monoxide fumes from a faulty motel gas heater. Andrew is desperate to keep Frida’s presence from his grieving and already scandalised family as Frida is still furious about losing her husband. Can he stop her from making a scene until he can get his family through their service?
I’ve been hearing stories about the Churney Cat for as long as I’ve lived in Cirencester. Every so often there’s a sighting reported in the local paper – plus a fuzzy photo – including one of the beast in Cirencester Market place.
I wanted to include the Cat in a major project so I decided to give him his own short prequel, a chance to introduce him and some of the humans who come into contact with him.
Originally, I intended the story to be centred on two men who hide in the woods hoping to get photographs of the beast to sell to the tabloids. In the end, I worked out a more interesting angle which links the Cat to a longer story. This was partly as a result of making the characters female, which also allowed me to turn what started as a straightforward thriller into something more unusual.
I met Actress/Writer/Director Marianne Gaston through Jarek Adams’ Scriptorium project based in Gloucester and knew she would make a superb Gran. Her friend Laura Clifford was just as good as Maya. We recorded the play on location in Kinsham (outside Bishops Cleeve) on Saturday 12th March 2016 and my actors did a great job.
Stitching everything together on the computer proved problematic: this is the first script I have attempted to record completely outside, and monitoring actors’ lines and watching the sound levels is hard enough without having to keep track of trains in the background too!
Anyway, here it is, I hope you enjoy it. Please don’t get in touch to tell me a black leopard is technically a panther. I say he’s a black leopard, and that’s and end to it. It’s my play. If you want a play with a panther, write it yourself!
Poor Maya. It’s tough being 19 when you don’t know what to do with your life. Fortunately, Maya’s Gran is on hand to introduce her to a very special person. After tonight, Maya’s life will never be boring again…