After the thrill of making the short list for the BBC Solent Radio Playwright competition, came the sheer unexpected shock of realising – as they introduced me on the radio yesterday morning – that I had been selected as a winner!
It’s surprisingly odd, hearing a stranger reading your name out, something like hearing them read your name out at the Oscar’s. It was nerve-wracking being interviewed, but listening to the results on the iPlayer I don’t think I sound too bad.
On 27th March the 3 winning writers gather for a workshop to get the scripts into readiness for the performance/recording session on 12th April. The plays will be broadcast sometime in May. I’m already looking forward to meeting the director and cast, as the collaboration involved in making the piece work is often the most fun part of the whole process.
Julian Clegg and Louisa Hannan discuss the Radio Playwright competition and reveal the comments from the judges:
Stephen Connolly, interviewed live on air by Julian Clegg, learns he is a winner:
My radio script ‘Sky Pilots’ has made the short-list of the BBC Solent Radio Playwrights competition. I will be interviewed(!), live on the radio this Friday morning, and the 3 winning plays will be revealed over the course of the day. There will be a day of workshopping on 27th March and the 3 plays will be performed in Chandlers Ford on 12th April 2018.
There were over 350 entries so I feel delighted to have made the short-list, especially as I mis-read the original brief – I assumed they were looking for authors with a connection to Dorset/Hampshire/Isle of Wight and not stories with a connection to Dorset/Hampshire/Isle of Wight!
Fortunately, I realised my error with a week to go before the deadline and I managed to come up with a fun idea: Jonathan, a recently ordained (and rather prim) vicar and his wacky girlfriend Lucy are marooned in her hot air balloon when the wind drops. As they wait to be rescued by her ground crew, the clouds below them thin, revealing the most embarrassing of landmarks: The Cerne Abbas Giant.
I had never heard of Cli-Fi (short for Climate Change Fiction) before I saw Retreat West’s call for stories based around climate change. The resulting anthology ‘Nothing Is As It Was’, named from a story by Nick Ryle Wright, is being sold to raise funds for the Earth Day Network, and will contain a piece of my own, ‘The Window Box’, an excerpt from an ongoing project, The Fourteenth Duke of Plimsoll.
Plimsoll is a project I have been working on for years. It started off as a novel, although a film outline was shortlisted for the Marza Story Circus prize in 2012. After many changes, I finally wrote a complete film script of the story (titled The Duke of Hope) for my MA in Scriptwriting at Bath Spa University in 2014.
Plimsoll Tower is Humanity’s last refuge. Rising from an immense ocean, it is the last dry land left on Earth. The never ending rain, a result of Climate change, keeps the sea-level rising, forcing the Tower’s occupants to build perpetually upwards with stone quarried from far below the waterline, from beneath the Tower itself. Apart from the few fish that circle the Tower, all food must come from the hutches and window-boxes strapped to the Tower’s external wall.
It’s the kind of project that changes every time I think about it, the biggest problem being that I thought of the situation and the ending before coming up with any real characters. However, over the past few months, having had some fresh ideas, thought up some new characters, situations, I now have a new direction. The first finished part of this is The Window Box, soon to appear in the Retreat West anthology. A good omen for its new direction.
Early in 2017, BBC Radio 4 Producer Paul Dodgson came to Somewhere Else Writers to run a workshop on writing radio drama. For one of the exercises he asked us to write dialog inspired by, or even from the POV of the shoes we happened to be wearing.
I had the good fortune to be wearing some interesting shoes, a pair of Burton desert boots, bought for a £5 as they didn’t match, one of them having been left out in the sun for too long. I gave them completely different characters – Left is laid back and philosophical where Right is anxious and bitter.
The piece worked so well that I decided to complete the story: two shoes going through an existential crisis – perhaps a long dark night of the soul?! Realising they may be reaching the end of their life when one sustains damage, they debate what may happen to them, is there a chance of an afterlife for shoes?
It was great fun to write and Graham Fletcher agreed to play both parts when I recorded it. Before I could finish the mix for Corinium Radio, York-based Off The Rock productions issued a call for radio scripts for their Sound Waves series so I submitted the script for Destiny of Shoes. The script made the shortlist and (I learned this week) has been selected for recording later in the year.
My short story ‘Fairy Tale Ending’ was published in the very first issue of Edinburgh literary magazine Far Off Places back in March 2013. The magazine is now moving to online-only/podcast form of publishing, but for the final print issue they asked all those who had previously been published for contributions. I submitted a short story ‘Four Funerals and a Wedding’ which has been accepted for publication in the final issue, due out in the second half of 2018.
Inspired (obviously!) by the film Four Weddings and a Funeral, Four Funerals tells the story of Jim and his cousin Clare, who meet at a series of family funerals, each several years apart. Will they get together? Whose is the wedding at the end of the tale?
My short play ‘Urbini’ will be performed script in hand on Sunday 8th October as part of the Salisbury Fringe ‘Rough Cuts’ event.
It’s a dark comedy about Art, inspired by anonymous artists such as Banksy.
I’ve been writing monologues for years, mainly short ones for John Bassett’s ‘Three Minute Wonders’ on the Stroud Fringe. One of these, ‘Starter Home’ has been accepted by the Bolton Octagon for their ‘Best of Bolton’ show on 11th November 2017.
The first monologues I ever saw were Alan Bennett’s ‘Talking Heads’ back in the 1980s and I have always loved the way he grows the stories and plots almost organically from the characters and their lives.
They are a great way to tell a story, as they allow you to talk around things, leave them unmentioned but not invisible.